After reviewing a
myriad of artist demos, press kits and bios as a former talent booking agent
with the William Morris Agency and founder of ReelMusician.com, I?ve decided to
write a short article on how you can formulate a workable and eye catching
artist bio avoiding too much hype and grabbing the attention of the music
industry. As the years have gone by and technology has increased, you would
think that bios, press kits and other various articles written for an artist
press kit would get better ? I believe it has gotten easier, but better I'm
still debating. There are fundamental truths and principles that you should
incorporate into your press kit material if you really want to catch the eye of
the industry professional and land some real success.
There are not as
many fast or absolute rules as there are don'ts
when creating your artist bio. I can tell
you from experience, that the creation of an
artist press kit is not as easy as one would
think. Anyone can have their friend or
another member of the act put together a
press kit, but one that really sparkles and
grabs the attention of your audience is the
key ? Not just creating what everyone else
is creating. Believe it or not, I tend to
think that many industry execs don't
even bother with the run of the mill artist
press kits with CDs sent in with the barrage
of mail received on a daily basis.
Unfortunately, there are probably some very
deserving bands in the pile, but if you don't
catch their attention or are not conducting
a polished approach to your material, then
you can forget it ? incredible reel or not.
As we go along
here, don't
hesitate to contact ReelMusician.com should
you have any questions on artist press kit
design. Many articles, features, logo design
work and free material are available there
as well as the opportunity to have their
staff professionally design and write your
artist press kit material. To Begin with,
there are scores of different ways to press
kit layout. It is highly recommended that
you have your folders professionally printed
with your logo, etc and not adopt the gloss
black folder that everyone is using. I
understand that money doesn't
grow on trees, and if you are cash tight,
then you might consider an off color other
than black such as blue, yellow red, or
variations, etc. Starting with that idea,
let's look at logo
design. Do you or your band currently have a
logo? - If not you should. Logos are
becoming increasingly important in defining
the act nowadays. Logos also help to set the
mood for the tone of who you or your band
is. Logo designs are fairly inexpensive and
software is out there that is a great help
in achieving some very professional designs.
Your logo ought to be printed on the front
of virtually everything your name is on ?
From the press kit cover, CD cover, bio,
etc.
When looking at
the creation of your bio, it almost seems a
daunting task, to get the flavor and tone
right and the pitch verbalized in such a way
where you are articulate, provide a
foundation of telling your reading audience
why they should look further into your act,
and do it in such a way as to not turn off
your readers. This is a common thread among
those who are serious about a powerful press
kit and not just throwing it together to
have something to send out. Let me assure
you that if you will implement a few of
these ideas and then for further reading and
ideas at the ReelMusician.com website, that
you will be well on your way to creating
quality, eye-catching promo kits.
As a matter of
practice, start reading as much material as
you can, whether on line or hard copy,
gleaning writing ideas tips and artistical
direction that you find in the mainstream
artist write-ups. I will tell you that
because of mere position and the presence of
record deals, that you will find it a little
more difficult to write your bio. It's
a much easier task when you can talk about
major play dates with top 40 acts, or your
own singles released, etc then when you are
first starting out ? I am well aware of
that. Thats why I recommend professionally
written bios on the front end of your
career. Professional writers who write bios
and press kits tend to have a better feel
for how to address certain inadequacies with
solid writing material then most artists or
band members. When you are in the business
to write and make someone look good in
print, with little name recognition to none,
you get a feel and get good at choice
verbiage.
So what should
you include in your artist bio? Include name
of act at top in bold ? don't
be so artsy fartsy that individuals can't
make out the name or the main body of the
bio for that matter. Include important play
dates, singles released, significant air
play (chart number) and where, band members
and anything about any player that exudes
credentials. Be sure to include future
release dates, any solid future bookings,
your artist manager if they have credible
acts that substantiate your credibility,
length of band being together, if longer
than a year, and music genre. Don't
spend a lot of time picking apart the music
style and don't
include that you were the high school choir
president and any other non-consequential
type of information. It's
better to have a shorter bio, than to
stretch it out with information that nobody
gives a darn about. The fact that you came
from a certain town or region, may be
important for certain unknown reasons here,
but if not, don't
include it. Don't
include the local fundraiser that you played
at if it's not a
fairly significant regional show. You get
the idea ? Don't
include something that you think the reader
might read and say, ?So what.?
In closing, and
so much more could be written here, but for
the sake of time and length of this article,
I will leave you with that less is more, don't
use the same old tired color of folders, and
be aware of whats truly important when
writing your artist bio. Let your creativity
be shrouded in user readability, without
using a lot of unneeded or unhelpful hype
that detracts rather than supports or
emphasizes and start looking at many press
releases and bios to gather ideas.